• Night Waves to the Road (2025)

    for solo piano. 5’

    The Art of Knowing Your Name (2025)

    for solo viola. 5 - 6’

    My Thorns are my Roses (2024)

    for singing violinist. ca. 10’

    The Webs We Must Weave (2024)

    for mandolin or violin solo with live electronics. Flexible duration

    dedicated to Clark Nichols

    One Who Tastes Water (2024)

    for flute and live electronics. Flexible duration.

    Short Piece in an Old Style (2024)

    for theremin solo or contrabass solo. 2'30"

    Little Note Book (2024)

    sets of six-second-or-less pieces for piano.

    Part I : nos. 1 - 16. 1’30”

    Part II: nos. 17 - 31. 2'30"

    Part III: nos. 32 - 47. 3'

    Part IV: no. 48 "Circles". 6'

    Doom Scrolls (2024)

    miniatures for solo piano, in 4 volumes.

    Vol. 1: nos. 1 - 10. 10'

    Vol. 2: nos. 11 - 20. 12'

    Vol. 3: nos. 21 - 30. 10'

    Vol. 4: nos. 31 - 42. 20'

    Notte Piangente (2023)

    for solo piano. 4’

    Witch Hazel (2023)

    for solo mandolin. 5’

    Commissioned by Clark Nichols

    ceci n’est pas (2023)

    for solo pianist on at least 3 retuned pianos or digital pianos. 30’+ (length indeterminate)

    Friendship Avenue Suite (2021)

    for solo cello. 18’

    Written for Nadine Sherman Glorioso

    Ask the Tender Cloud (2020)

    for flute and tape. 5’

    Written for and dedicated to Zoe Sorrell.

    Video

    score

    Great Blue Heron (2019)

    for solo contrabass and tape. 7’

    Dedicated to my dad. Written for Katie Adams.

    Audio

    Score

  • 4 Colors for 3 Soloists (2025)

    for bass, viola, and flute (dbl. picc).

    Janiculum (2024)

    for viola (or cello) and organ (or polyphonic synthesizer or any drone keyboard). 6’

    There will come a dawn, or an evening, or an afternoon (2024)

    for viola and celeste. 4’

    Portals (2024)

    for flute and percussion. ca. 25' *

    Written for and dedicated to Caroline Shaffer Robin & Alexandre Robin

    *total duration not accounting for time spent improvising. This piece includes detachable sections of written material that may be mixed with improvisations based on the material provided in the Appendix.

    Accept Cookies (2024)

    for flute and prepared piano.

    Written for and dedicated to André Solomon.

    Branches Wide Open (2024)

    for alto flute and toy piano.

    Written for and dedicated to Trē Seguritan Abalos.

    The Fact (2024)

    for singing flutist and bass guitar. 7 - 8’

    Written for and Dedicated to Zoe Sorrell & Rich Kawood. Text by Zoe Sorrell.

    The Ballad of Sam and Sara (2023)

    for flute and prepared piano. 7'

    Dedicated to Chinary Ung

    Thauma (2022)

    for bass clarinet, violin, cello, and percussion. 10’

    Oxidized (2020)

    for clarinet, flute, electric piano, and live electronics. 4'

    written for Apply/Triangle

    dedicated to Josh Oxford

    Change From Changing (2020)

    electric guitar, tenor saxophone, piano, and percussion. 8’

    Written for Hypercube

    Pando (2020)

    for bass clarinet, bass, flute, and percussion. 14’

    Written for Gillian Dana and Caroline Shaffer

    Score

    Whistleblower (2019)

    for tape, percussion, and other instruments. 15’

    Audio

    Thaw (2019)

    for any combination of acoustic or electronic instruments. 10-30’ (flexible duration).

    Audio

    Parts for Thaw, including any necessary transpositions, are available by contacting the composer.

    Naphtha (2018-19)

    Winner, 2019 Louis Smadbeck Composition Prize.

    for clarinet, cello, and piano (10’). Comissioned by Alex Hecker.

    Score

    Hermitage (2018)

    Humoreske for Pierrot Ensemble. 8’

    Audio

    Score

  • Deux Chansons de Rimbaud (2019)

    for soprano and clarinet. 4’

    Dedicated to Nadine Silverman. Text by Arthur Rimbaud (1854 - 1891).

    Score

    Petals (2019)

    for soprano, clarinet, and piano. 5’

    Dedicated to Julia Bokunewicz. Text by Amy Lowell (1874 - 1925).

    Score

  • Spirit Phone (2022-2023)

    concerto for synthesizer, string orchestra, percussion, piano, and celesta. ca. 35’

  • Americana Part III (2024)

    Korg Minilogue synthesizer. 33'

    Selenicereus (for Neetha Khanuja) (2023)

    cacti, keyboards, synthesizers. 10’

    The Singing of Heat (Americana Part II) (2020)

    Folktek Mescaline, Korg Minilogue, Well Tuned keyboard. 33’

    Audio



    Americana (2020)

    Folktek Mescaline Modular synth, Farfisa Compact, Vox Continental. 46’

    Audio



    Thaw Mix with Son of Thaw (2020)

    A super-mix of four different performances of Thaw. 25’

    Audio



    Betty’s Song (2019)

    Tape and harpsichords. 13’

    Audio



    Occluded Front (2019)

    Tape. 15’

    Audio



    Sea Shell (2018)

    Tape. 8’

    Text by Amy Lowell

    Audio



    Petite Oraison (2018)

    Virus TI rack Synthesizer. 3’

    Audio



    Ruin (2016)

    Virus TI, Logic software synths. 4’

    Audio



    Skråsonata (2015)

    Virus TI rack synthesizer. 5’

    to Eric Svalgard

    Audio