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2025
4 Colors for 3 Soloists for viola, bass, and flute (dbl picc.)
Songs of the Mad Wind soprano and ensemble
The Art of Knowing Your Name for solo viola
Doom Scrolls Vol. 5 for solo piano
2024
My Thorns are my Roses for singing violinist
Tenon et Mortaise for flute and percussion
The Webs We Must Weave for mandolin (or violin) and live electronics
One Who Tastes Water for flute and live electronics
Short Piece in an Old Style for theremin (or contrabass) solo
Accept Cookies for flute and prepared piano
Americana Part III electronic.
Branches Wide Open for alto flute and toy piano
Little Note Books for solo piano
The Fact for singing flutist and bass guitar
Doom Scrolls Vols. 1-4 for solo piano
2023
Notte Piangente for solo piano
Witch Hazel for solo mandolin
Selenicereus electronic
ceci n’est pas for piano, or piano and tape
The Ballad of Sam and Sara for flute and prepared piano
Spirit Phone for synthesizer, string orchestra, percussion, celesta, piano
2022
Thauma for chamber ensemble
2021
Irradiations for baritone/tenor voice and piano
Friendship Avenue Suite for solo cello
2020
Change From Changing for alto saxophone, piano, electric guitar, and percussion
Oxidized for clarinet, flute, electric piano and live electronics
The Singing of Heat electronic
Ask the Tender Cloud for flute and tape
Pando for flute, clarinet, bass, and percussion
Americana electronic
Thaw Mix with Son of Thaw electronic
2019
Occluded Front electroacoustic
Betty’s Song electroacoustic
Whistleblower small ensmble
Great Blue Heron bass and tape
Sublimating Songs soprano and piano
Deux Chansons de Rimbaud soprano and clarinet
Petals soprano, clarinet and piano
Thaw any instruments
Naphtha clarinet, cello, piano
2018
Hermitage Pierrot ensemble and percussion
Petite Oraison electronic
Sea Shell electroacoustic
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My Thorns are my Roses (2024)
for singing violinist. ca. 10’
The Webs We Must Weave (2024)
for mandolin or violin solo with live electronics. Flexible duration
dedicated to Clark Nichols
One Who Tastes Water (2024)
for flute and live electronics. Flexible duration.
Short Piece in an Old Style (2024)
for theremin solo or contrabass solo. 2'30"
Little Note Book (2024)
sets of six-second-or-less pieces for piano.
Part I : nos. 1 - 16. 1’30”
Part II: nos. 17 - 31. 2'30"
Part III: nos. 32 - 47. 3'
Part IV: no. 48 "Circles". 6'
Doom Scrolls (2024)
miniatures for solo piano, in 4 volumes.
Vol. 1: nos. 1 - 10. 10'
Vol. 2: nos. 11 - 20. 12'
Vol. 3: nos. 21 - 30. 10'
Vol. 4: nos. 31 - 42. 20'
Notte Piangente (2023)
for solo piano. 4’
Witch Hazel (2023)
for solo mandolin. 5’
Commissioned by Clark Nichols
ceci n’est pas (2023)
for solo pianist on at least 3 retuned pianos or digital pianos. 30’+ (length indeterminate)
Friendship Avenue Suite (2021)
for solo cello. 18’
Written for Nadine Sherman Glorioso
Ask the Tender Cloud (2020)
for flute and tape. 5’
Written for and dedicated to Zoe Sorrell.
Great Blue Heron (2019)
for solo contrabass and tape. 7’
Dedicated to my dad. Written for Katie Adams.
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Tenon et Mortaise (2024)
for flute and percussion. ca. 25' *
*total duration not accounting for time spent improvising. This piece includes detachable sections of written material that may be mixed with improvisations based on the material provided in the Appendix.
Accept Cookies (2024)
for flute and prepared piano.
Branches Wide Open (2024)
for alto flute and toy piano.
The Fact (2024)
for singing flutist and bass guitar. 7 - 8’
The Ballad of Sam and Sara (2023)
for flute and prepared piano. 7'
Thauma (2022)
for bass clarinet, violin, cello, and percussion. 10’
Oxidized (2020)
for clarinet, flute, electric piano, and live electronics. 4'
written for Apply/Triangle
dedicated to Josh Oxford
Change From Changing (2020)
electric guitar, tenor saxophone, piano, and percussion. 8’
Written for Hypercube
Pando (2020)
for bass clarinet, bass, flute, and percussion. 14’
Written for Gillian Dana and Caroline Shaffer
Whistleblower (2019)
for tape, percussion, and other instruments. 15’
Thaw (2019)
for any combination of acoustic or electronic instruments. 10-30’ (flexible duration).
Parts for Thaw, including any necessary transpositions, are available by contacting the composer.
Naphtha (2018-19)
Winner, 2019 Louis Smadbeck Composition Prize.
for clarinet, cello, and piano (10’). Comissioned by Alexandra Hecker.
Hermitage (2018)
Humoreske for Pierrot Ensemble. 8’
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Irradiations (2017/2021)
six songs for tenor/baritone and piano. ca. 20’
Text by John Gould Fletcher
Deux Chansons de Rimbaud (2019)
for soprano and clarinet. 4’
Dedicated to Nadine Silverman. Text by Arthur Rimbaud (1854 - 1891).
Petals (2019)
for soprano, clarinet, and piano. 5’
Dedicated to Julia Bokunewicz. Text by Amy Lowell (1874 - 1925).
Sublimating Songs (2019)
four songs for soprano and piano. 10’
Text by John Gould Fletcher.
Songs of the Mad Wind (2019/2022)
Four songs for soprano and chamber ensemble. 10’
Text by John Gould Fletcher (1886 - 1950).
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Spirit Phone (2022-2023)
concerto for synthesizer, string orchestra, percussion, piano, and celesta. ca. 35’
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Americana Part III (2024)
Korg Minilogue synthesizer. 33'
Selenicereus (for Neetha Khanuja) (2023)
cacti, keyboards, synthesizers. 10’
The Singing of Heat (Americana Part II) (2020)
Folktek Mescaline, Korg Minilogue, Well Tuned keyboard. 33’
Americana (2020)Folktek Mescaline Modular synth, Farfisa Compact, Vox Continental. 46’
Thaw Mix with Son of Thaw (2020)A super-mix of four different performances of Thaw. 25’
Betty’s Song (2019)Tape and harpsichords. 13’
Occluded Front (2019)Tape. 15’
Sea Shell (2018)Tape. 8’
Text by Amy Lowell
Petite Oraison (2018)Virus TI rack Synthesizer. 3’
Ruin (2016)Virus TI, Logic software synths. 4’
Skråsonata (2015)Virus TI rack synthesizer. 5’
to Eric Svalgard